us-005578-irn614181-irn692959
history: The Cinema Judaica Collection consists of more than 1,200 objects relating to films about World War II and the Holocaust as well as Jewish, Israeli, and biblical subjects, from 1923 to 2000, from the United States, Europe, Israel, Canada, Mexico, and Argentina. The collection was amassed by film memorabilia collector Ken Sutak, to document Holocaust-and Jewish-themed movies of the World War II era and the postwar years. The collection includes posters, lobby and photo cards, scene stills, pressbooks, trade ads, programs, magazines, books, VHS tapes, DVDS, and 78 rpm records. Sutak organized these materials into two groups, “Cinema Judaica: The War Years, 1939–1949” and “Cinema Judaica: The Epic Cycle, 1950–1972” and, in conjunction with the Hebrew Union College-Jewish Institute of Religion Museum (now the Dr. Bernard Heller Museum in New York), organized exhibitions on these two themes in 2007 and 2008. Sutak subsequently authored companion books with the same titles.
has or had subject: http://lod.ehri-project-test.eu/vocabularies/ehri-terms/845
results or resulted from: http://lod.ehri-project-test.eu/units/us-005578-irn614181-irn692959/acquisitions/1
conditions of use: Restrictions on use. Copyright status is unknown.
title: U.S. One Sheet Poster for the film “Gentleman’s Agreement” (1947)
identifier: irn692959
scope and content: One-sheet poster for the film, “Gentleman’s Agreement,” premiered by 20th Century Fox on November 11, 1947. The film was based on a story written by Laura Z. Hobson, which was serialized from 1946-1947 and published in a stand-alone novel in 1947. “Gentleman’s Agreement” was nominated for eight Academy Awards, and beat RKO’s similarly themed film, “Crossfire” to win Best Picture, Best Supporting Actress, and Best Director. The film also won four Golden Globes and was added to the National Film Registry at the Library of Congress in 2017. “Gentleman’s Agreement” tells the story of a journalist who pretends to be Jewish so he can write an in-depth story about antisemitism. He immediately begins to see the rooted antisemitism on all sides, from colleagues at his office, to interactions with a physician, and even at a hotel. As the ruse continues, a rift grows between the journalist and his fiancée, who is reluctant to speak out against antisemitic comments in her social circle. Prior to production, some Jewish executives in Hollywood feared that the film would actually incite more antisemitism. The film proved to be daring for its time, calling out openly antisemitic politicians and other public figures. It also forced the audience to come to terms with their own underlying views and actions, both overt and subtle. This object is one of more than 1,200 objects in the Cinema Judaica Collection of materials related to films about World War II and the Holocaust as well as Jewish, Israeli, and biblical themes.
physical characterisitics and technical requirements: Offset lithographic one-sheet poster for the film, “Gentleman’s Agreement,” printed on rectangular, cream-colored paper and mounted on a slightly larger linen backing. The poster has a narrow margin on all four sides. On the left side of the poster is an image of a man sitting backwards on a ladder-back chair. His right forearm is resting on the top and supporting his chin with his fist, while he clutches a piece of white paper in the other hand. Standing behind him, in left profile, is a woman in a light blue, off-the-shoulder gown. She is turning her head to look at the man. To the right of the image are the names of the principal cast, printed in large, blue text. Overlaying the bottom of the man’s legs is a wide, diagonal, semi-transparent banner containing the film title, printed in large, yellow text. In the bottom left corner are additional film credits in blue text. In the bottom right corner is an illustration of another man, wearing a blue suit and orange tie, depicted from the shoulders up. An illustration of a blue book bearing yellow text is overlaid on his shoulder. Copyright and printing information is printed in the bottom margin in black ink. The poster is heavily creased, and there are some small surface losses throughout. There are several flattened creases at the top, and the bottom corners have been previously repaired. Depicted: Dorothy McGuire as Kathy Lacy, Gregory Peck as Philip Schuyler Green, John Garfield as Dave Goldman front, bottom left margin, handwritten, black ink : 3342 front, bottom right margin, handwritten, black ink : 47/496
has record set type: Item
record resource extent: Overall: Height: 41.750 inches (106.045 cm) | Width: 28.000 inches (71.12 cm)
has or had some members with language: eng
conditions of access: No restrictions on access
type: RecordSet
is or was included in: us-005578-irn614181
has or had identifier: http://lod.ehri-project-test.eu/units/us-005578-irn614181-irn692959/alternateIDs/1
has or had identifier: http://lod.ehri-project-test.eu/units/us-005578-irn614181-irn692959/alternateIDs/2
has or had holder: us-005578
has or had identifier: http://lod.ehri-project-test.eu/units/us-005578-irn614181-irn692959/alternateIDs/3
history: The poster was donated to the United States Holocaust Memorial Museum in 2018 by Ken Sutak and Sherri Venokur.
date: 1947 November 11
has or had identifier: http://lod.ehri-project-test.eu/units/us-005578-irn614181-irn692959/alternateIDs/4