us-005578-irn46953-irn47926
type: RecordSet
archival history: The poster was donated to the United States Holocaust Memorial Museum in 2012 by Carlos Zepeda.
physical characteristics and technical requirements: Rectangular offset lithograph poster on white paper with a white, red, and black gradient background. The graphic design features a large black swastika broken apart into jagged shards that form a face with an open mouth, symbolizing freedom of speech. The eye is formed by a black cloud of smoke which is emitted from the red and orange flame on the upper right section of the swastika. The three-dimensional looking swastika has gray surface cracks and gray edges. Above the swastika is the word libertad in gray ink, below is de palabra and a phrase in Spanish. The designer's name is imprinted in the top right corner.
conditions of access: No restrictions on access
conditions of use: No restrictions on use
has beginning date: 1942-01-01
has end date: 1942-12-31
has or had holder: us-005578
has or had identifier: 1
has or had some members with language: spa
has record set type: Item
identifier: irn47926
is or was included in: us-005578-irn46953
record resource extent: overall: Height: 20.000 inches (50.8 cm) | Width: 14.250 inches (36.195 cm)
results or resulted from: 1
scope and content: Libertad de Palabra (Freedom of Speech) is an American propaganda poster produced during World War II for distribution in Central America. Designed by Alexey Brodovitch, this poster features a big black swastika broken into jagged pieces by a symbolic image of Free Speech, a face with an open mouth. It is part of a series of five posters created to promote President Roosevelt’s Four Freedoms. In his January 1941 State of the Union address, FDR proposed four fundamental freedoms that people everywhere in the world should enjoy: Freedom of Speech, Freedom of Worship, Freedom from Want, and Freedom from Fear. The Spanish language posters were published by the Office of Inter-American Affairs in 1942 to gain support for the Allies in Central America. Herbert Bayer, Alexey Brodovitch, Edward McKnight Kauffer, and John Atherton were commissioned to design the posters by Nelson Rockefeller, Coordinator of Inter-American Affairs. Brodovitch had fled Bolshevik rule in Russia for Paris in 1920, then immigrated to the United States in 1930, eventually working as art director of Harper’s Bazaar for nearly 25 years.
title: Freedom of Speech US propaganda poster with a swastika shattered by a symbolic face promoting freedom of speech in Central America