us-005578-irn1000876
has record set type: Item
note: Distributed by the War Activities Committee of the Motion Picture Industry.
has or had some members with language: eng
has end date: http://lod.ehri-project-test.eu/dates/1942-12-31
has beginning date: http://lod.ehri-project-test.eu/dates/1942-01-01
has or had subject: http://lod.ehri-project-test.eu/vocabularies/ehri-terms/986
has or had holder: us-005578
scope and content: Orientation Film no. 7, Reel 4. International events cause the US to enter into World War II. A newspaper man calls out,"Nazi Spy Gang Captured" on a bustling street. People sit in a movie theater and the screen reads,"Confessions of a Nazi Spy" They watch a dramatization of Hitler saying the Constitution should be destroyed. German American children march in a parade carrying Nazi and American flags and others play instruments. In Madison Square Garden, people recite the Pledge of Allegiance while giving the Nazi Salute. A man is held back by guards. Hitler and Mussolini are seen on the cover of Newsweek as the narrator explains how Nazis were spending millions to buy war supplies. Montage of industrial shots. Men drive by in tanks and planes fly in formation. A Japanese boy is on the cover of Life magazine carrying a rifle, a hand flips through Japanese currency, men work in a munitions plant and a ship pulls away from the harbor. 05:12:16 Soldiers march. The narrator says that supposedly poor nations were spending huge sums on armaments and when asked why, they replied that"they had declared war on us long before the shooting started" Mussolini is quoted saying,"We have actually been at war since the day when we lifted the flag of our revolution against the democratic world" and the Coliseum is in the BG. Mussolini salutes with a statue of Julius Caesar behind him. VO"The Germans are a noble and unique race to whom the earth was given by the grace of God" Text indicates that the quote is taken from"Mein Kamp" on page 827. A large gong is hit and text quotes Lord Hotta,"The world must come to look up to our emperor as the great ruler of all nations" The emperor rides on a horse followed by other officials and Japanese people bow. Crowds cheer and wave flags from the three different nations. Images of Hitler, Mussolini and Hirohito. 05:13:12 The narrator states that they wish to destroy"personal freedom, equality of man, freedom of speech and freedom of religion" V…
has end date: http://lod.ehri-project-test.eu/dates/1939-12-31
title: Army film showing Japanese troops, Nazi conquests, the bombing of Warsaw, and neutrality
identifier: irn1000876
has or had identifier: http://lod.ehri-project-test.eu/units/us-005578-irn1000876/alternateIDs/2
has or had identifier: http://lod.ehri-project-test.eu/units/us-005578-irn1000876/alternateIDs/1
type: RecordSet
has beginning date: http://lod.ehri-project-test.eu/dates/1938-01-01
note: The well-known Why We Fight series, produced by the War Department under the general supervision of Lt. Col. Frank Capra, include:"Prelude to War""The Nazis Strike""Divide and Conquer""Battle of Britain""Battle of Russia""Battle of China" and"War Comes to Americ" and together represent one of the most comprehensive efforts to teach history through film. Designed for new recruits, these films were eventually shown to civilian warworkers and the general public. Capra's staff used the compilation method in these films. Footage was selected from the resources of the National Archives, the Library of Congress, the Museum of Modern Art, the Army Pictorial Center, and the newsreel libraries in New York City. Films from Allied Governments and those captured from the Axis were also used in the productions. These films were arranged and rearranged to explain official U.S. policy on the causes of the war and toward the Allied and Axis powers."Prelude to Wa" reviews events leading to the war and contrasts American democracy with fascism."The Nazis Strik" and"Divide and Conque" detail German expansion toward the east and west."Battle of Britai" concentrates on the fight against the attacking Luftwaffe and the resilience and courage of British civilians."Battle of Russia" running almost two hours, quickly reviews centuries of Russian history, emphasizing the theme that the Russian people would ultimately defeat and drive out all foreign invaders. This film shows in grim detail the bitter conditions of fighting on the Eastern front."Battle of China" quickly withdrawn from circulation after its release, is the least historically accurate of the series. Its footage, obtained from many documentaries on China, shows the magnitude of the struggle between China and Japan and builds sympathy for the Chinese people."War Comes to Americ" is the summation of the work done by Colonel Capra's film staff; it is a fast-paced, rhythmical film on the values of American culture and U.S. compositio…
biographical history: Frank Capra was an Italian American film director, producer, and writer born in Italy and raised in Los Angeles from the age of five. Capra became one of America's most influential directors during the 1930s, winning three Academy Awards for Best Director from six nominations, along with three other Oscar wins from nine nominations in other categories. Among his leading films were"It Happened One Nigh" (1934),"You Can't Take It with Yo" (1938), and"Mr. Smith Goes to Washingto" (1939). Capra served in the US Army during World War I and became naturalized shortly thereafter. He reenlisted after Pearl Harbor and was offered a commission as a Major at the age of 44. Chief of Staff George Marshall bypassed the US Army Signal Corps and assigned Major Capra the job of producing seven propaganda films (the Why We Fight series) that would be seen less as propaganda pieces and more as the inspiring films that Capra had made. After World War II, Capra's career declined as his later films, such as"It's a Wonderful Lif" (1946), performed poorly when they were first released. Outside of directing, Capra was active in the film industry, engaging in various political and social issues. He served as President of the Academy of Motion Picture Arts and Sciences, worked alongside the Writers Guild of America, and was head of the Directors Guild of America.