us-005578-irn1000172
has or had identifier: http://lod.ehri-project-test.eu/units/us-005578-irn1000172/alternateIDs/1
note: Mimi Fischman Berger is the teenager sitting on the table at 03:04:50 with a writing pad (her hair is parted on the side and clipped). She was interred for 4 years in Terezin from ages 16-20. Mimi eventually immigrated to Palestine after the war because her father had arranged for a false marriage with an Orthodox Jewish family. They divorced immediately. Mimi became one of the first 12 flight attendants for El Al. You can learn more about her experience from her testimony: https://collections.ushmm.org/search/catalog/vha4080. Mimi's mother, Helena Fischman, is also in the film wearing a striped sweater and knitting while talking to another woman at the table in the barracks sequence. Helena was deported from Terezin not long after the making of this propaganda film and exterminated. Other Credits: Script: Kurt Gerron using drafts by Jindrich Weil and Manfred Greiffenhagen Music: Felix Mendelssohn-Bartholdy, Sholom Secunda, Hans Krása, Jaques Offenbach, Pavel Haas, Max Bruch, Dol Dauber See Film and Video departmental files for articles and background on the 1942 and 1944 filming. The full title of this film is: Theresienstadt: ein Dokumentarfilm aus dem Juedischen Siedlungsgebiet [Theresienstadt: a documentary film about the Jewish settlement]. The often-used title for this film is: Der Fuehrer schenkt den Juden eine Stadt [The Fuehrer gives the Jews a City].
has beginning date: http://lod.ehri-project-test.eu/dates/1944-01-01
has record set type: Item
has or had subject: http://lod.ehri-project-test.eu/vocabularies/ehri-terms/986
has or had some members with language: deu
has or had holder: us-005578
has end date: http://lod.ehri-project-test.eu/dates/1944-12-31
has or had identifier: http://lod.ehri-project-test.eu/units/us-005578-irn1000172/alternateIDs/2
type: RecordSet
title: Nazi propaganda film about Theresienstadt / Terezin
scope and content: Excerpt of well-known propaganda film made by the Nazis to show the International Red Cross and others that they were not mistreating Jews in the"ghettos" Documentary footage depicts the life of Jews in the ghetto of Theresienstadt [Terezin] in Czechoslovakia as harmonious and joyful. They wear yellow stars on their civilian clothing but are euphemistically called residents "Bewohne"] instead of inmates. They look well-dressed and well-fed and keep smiling. No SS guards or other armed Germans are shown. Shots include: men and women work contentedly on farm, in factories, making pottery and sculpture, seamstresses and tailors, cobblers, etc. Yellow stars visible on their clothing, but people smile, implying satisfaction. Recreational activities include spectator sports event in an enclosed, porticoed courtyard; concert (various views of attentive, mannered, well-dressed crowds); library; flourishing community garden; children at play; women and men socializing; barracks. Final view is family dinner scene. The conductor of the orchestra at 09:56 can be identified as Karel Ančerl (1908-1973), founder and conductor of the String Orchestra at Theresienstadt. Ančerl is leading the orchestra in a performance of the Studie pro smyčcový orchestr (Study for String Orchestra), composed at the camp by fellow prisoner Pavel Haas (1899-1944). Haas was deported to Auschwitz and killed soon after this sequence was filmed. Ančerl, however, survived the war, and eventually recovered most of the orchestral parts to Haas' composition. A performing edition of the reconstructed score, edited by the Czech musicologist Lubomír Peduzzi, was published in 1991 (https://collections.ushmm.org/search/catalog/bib18907).
note: Theresienstadt, established in November 1941, was the central ghetto for Jews from the Protectorate of Bohemia and Moravia. From July 1942 on, the ghetto also contained Jews decorated with German army medals as well as 'prominent' Jews and older Jews from several western European countries. It functioned as a transfer camp for deportations to the death camps in Poland and the occupied Soviet Union. After repeated requests by officials of the International Red Cross from October 1943 on, the SS agreed to allow a visit on June 23, 1944. Comprehensive 'beautification' measures took place in preparation for the visit in order to camouflage the ongoing mass murder of European Jewry to the world. Theresienstadt was presented as a 'model Jewish settlement.' Hans Guenther, the head of the regional SS-Zentralamt zur Regelung der Judenfrage [Central Office for the Regulation of the Jewish Question] in Prague, developed the idea to produce a movie depicting the 'excellent' living conditions for Jews in Theresienstadt (most probably in December 1943). The scenes in the film show camp life and feature the inmates in their day-to-day lives. Living conditions in Theresienstadt (and especially the efforts in education and culture organized by the Jewish council) were better on average than those in the Polish and Soviet ghettos. However, the movie crassly exaggerated the quality of life and omitted the harsh reality of overcrowding, hunger, diseases, and death that defined life in Theresienstadt. Beside the cinematography, inmates of the ghetto were used in all functions (including the director Kurt Gerron) to produce the film under close supervision by the SS. Immediately after the end of shooting in September 1944, Gerron and other cast members were deported to Auschwitz where they perished. After the final cut on March 28, 1945 the Czech company Aktualita received RM 35,000 from Guenther's office for the production of the movie. The movie was intended to be screened to internati…
identifier: irn1000172